Designed and Built in California, USA

Enzo X

UNVEIL THE UNIVERSE WITHIN

Modular Instrument Synthesizer with analog and digital synth heritage, advanced processing and high performance signal path.

  • US $599.00

  • 0
Internal Galaxy

Ever-expanding Waves


Enzo X is a supernova expansion from the original Enzo into the highest quality and most flexible polyphonic synthesizer ever created in a pedal format (with no pickup installation required). We leveraged the simple and easy to use UI first developed for LVX. 5 synth modes including a 6 voice poly synth and modules including ambience, modulation, filters, drives and more will expand your creativity to the beyond.

Terry Burton

Engineer/Founder

I always dreamed of releasing a synthesizer. And with Enzo X, we released a fully polyphonic monster that you can trigger with any instrument.

RULER OF THE HOUSE

“The mind of man is capable of anything..."


Enzo X combines 5 synth modes and incorporates those into a modular system UI/ architecture from both award winning LVX and MercuryX pedals. Including: 6 polyphonic voices (each voice includes a set of 2 oscillators, filter, filter envelope, amplifier envelope) + 3 reverbs are adapted from Mercury X (Prism algorithm) + 5 Drives (including Bitcrush) + full stereo 2.5 second Delay + 5 modulation types.

Sound Clips


Poly Sunsets
Riley Arp
Secret Journey
Arp Cycles + Mono Night Wind
Water of Life
Poly Phosphor
Poly Afterglow
MIDI Note In Poly Arctic
Filter Arp + Poly Stab
Driven Data + Rise Mono
Poly Phasoid
FM Bass
Dry Bass Phaser
Dry Bass Defretter
Dream Bass Chords
The Controls

Explore Enzo X


Click the (+) signs to learn more

Pitch


Selects the base pitch in semitones relative to the input signal. In Mono/Poly/Arp modes, Pitch transposes Enzo X’s synth relative to the input note. In Dry modes, Enzo X will pitch shift your incoming signal directly. This parameter is tied to the front panel Pitch control.

Filter


Sets the filter’s cutoff frequency, which plays a central role in shaping the brightness or darkness of the sound. This parameter interacts with the Filter Envelope Amount (FENV AMT) to determine the range of frequencies affected by the Filter Envelope’s modulation.

Level


Controls the overall output level of the Oscillator section, establishing the foundation of your synth’s sound. Adjusting this parameter influences how strongly the signal drives subsequent processing, including the Drive, Modulate, and Ambience categories of processing elements.

Mod


Controls the depth of pitch modulation when used in combination with MOD Speed. At low settings, it produces a subtle pitch variation or gentle warble. At higher settings, it creates an intense, seasick pitch shift—perfect for dramatic special effects.

C1


CONTROLLER 1 (OR C1)
Turn C1 knob to adjust favorite parameter above (for Preset Page).
Use C1 knob to select in Edit Pages.

C2


CONTROLLER 2 (OR C2)
Turn C2 knob to adjust favorite parameter above (for Preset Page).
Use C2 knob to edit values in Edit Pages.

C3


CONTROLLER 3 (OR C3)
Turn C3 knob to change presets or push to enter edit mode. Turn to scroll thru Edit Pages in edit mode. Hold C3 to save.

LED Button 1


Push LED button 1 to activate or bypass preset.  This button mimics Foot Switch 1 for desktop users.

LED Button 2


Push LED button 2 to activate or bypass preset.  This button mimics Foot Switch 2 for desktop users.

LED Button 3


Push LED button 3 to activate or bypass preset.  This button mimics Foot Switch 3 for desktop users

Hold Modifier


An envelope generator that can be set to Momentary, Latching or Tap Tempo action per preset. The LED switch will light up to indicate when the modifier is active.

Foot Switch 1


Engages or bypasses preset.

Foot Switch 2


Engages or bypasses preset.

Foot Switch 3


Engages or bypasses preset.

Hold Modifier Switch


An envelope generator that can be set to Momentary, Latching or Tap Tempo action per preset. The LED switch (above) will light up to indicate when the modifier is active.

  • Modular Instrument Synthesizer architecture
  • 5 Synthesizer modes including Mono, Polyphonic and Dry Processing modes
  • Polyphonic Pitch Detection with no special pickup necessary
  • Synthesizer playable via instrument input OR MIDI keyboard
  • 6 Fully Polyphonic Voices available simultaneously
  • ADSR Envelope Generators for both Amplitude and Filter
  • Configurable Oscillator and Filter types
  • SAW, TRIANGLE, and SQUARE Waveforms selectable per Oscillator w/ Cross Modulation
  • Intuitive, Award Winning Color Screen based User Interface adapted from LVX and MercuryX
  • Expressive Hold Modifier Switch for on the fly control
  • 99 Preset Locations in 33 Banks
  • Favorite Preset Bank for instant access to your 3 favorite presets
  • Instant Access Tuner with configurable Reference and Output mode
  • Deep Modifier Section lets you route control signals to processing parameters
  • All New Processing Elements including Meris custom Flanger and Phaser
  • Digitally controlled Analog mix bus
  • Stereo input and output with separate jacks for each
  • Switchable input/output headroom level for Instrument or Synthesizer / Line levels
  • MIDI In and Out over standard MIDI Din Jacks
  • Assignable Expression Pedal control for multiple parameters simultaneously
  • Dedicated Expression Pedal Jack
  • MIDI implementation for Continuous Control Parameters
  • MIDI Preset Send and Receive
  • MIDI beat clock synchronization
  • Advanced ARM Processor
  • Premium analog signal path and 24-bit AD/DA w/32 bit floating point DSP
  • Premium Analog Devices JFET input section
  • Dimmable screen and logo light
  • Color – Translucent Gold with Subtle Metallic Flake
  • Designed and Built in California, U.S.A.
  • Conversion 24 bit A/D and D/A
  • DSP 32 bit floating point
  • Sample Rate 48000 Hz
  • Input Impedance 1 Meg Ohm
  • SNR 115 dB Typical
  • Frequency Response 20Hz-20kHz
  • Max Input Level +9 dBu (instrument level setting)
    +12.5 dBu (line/synth level setting)
  • Power 9V DC center-negative, 300mA, 2.1mm jack
  • Bypass Selectable True Bypass (Relay) or Analog Buffered Bypass
  • Dimensions 7.25” wide, 4.5” long, 2” tall.  (Same depth and height as all other pedals.)
  • Weight 24 ounces
FULL FREEDOM AND FLEXIBILITY

Ultimate Inward Voyage


– 5 Pin DIN MIDI I/O Jacks
– Line/Synth Level
– Expression Pedal Jack
– USB-C (for firmware updates only)
– True Stereo Processing
– 9VDC center-negative power (at least 300mA)

SPEC COMPARISON BETWEEN ENZO AND ENZO X


SpecsEnzoEnzo X
Filter EnvelopeSingle Knob Attack Decay BalanceFull ADSR- Attack, Decay, Sustain, Release
Amplitude Envelope-Full ADSR - Attack, Decay, Sustain, Release
DelaySingle 530 msec delay with stereo out Dual 2500 msec delays
Reverb-3 Reverb types derived from the MercuryX's Prism Structure
FilterLadder, State VariableLadder, State Variable, and Twin
Modulation EffectsRing Mod & dry mode ChorusChorus, Flanger, Phaser, Vibrato & Ring Mod
Drives-Volume Pedal, Tube, Op Amp, Transistor, Bit Crush
Modifier-6 Modifiers
MIDI Note IN-Full 6 Voice Polyphonic control + Pitch and Mod Wheels
Oscillator Wave ShapesRamp and Square applies to both OSCsIndependent Ramp, Square, and Triangle for each OSC
Dry Mode Pitch ShiftingMono onlyMono and Polyphonic Modes
Arp StepsFixed at 7Adjustable from 1 to 16
Arp ModesEnzo Mode OnlyUp, Down, Up/Down, and Enzo Mode
Arp OctaveFixed at 1Selectable from 1 to 3
Parallel Mix for Categories-Drive and Modulation Effects can be sent to a parallel dry bus
Presets16 Preset Locations99 Preset Locations
Factory Presets1675
Artist Presets-15 artist created presets
Front Panel Preset Control-Bank Up, Bank Down, & 3 presets select buttons
Favorite Bank-Bookmark your 3 favorite presets
Screen-Full Color LCD Screen
Dedicated OSC Mod-New OSC mod control with Speed, Depth and Ramp
OSC XMOD-New XMOD allows OSC 1 to cross modulate OSC 2 for FM sounds
OSC2 Pitch ShiftDetune OnlyFull Range Shift and Detune
OSC Gain-Independent gain for each oscillator
ARP Mode Cycle Latch-Selectable Cycle Latch allows ARP cycle to complete before adding new notes
White Noise-Noise control mixes in white noise with the oscillators before the filters
Global Tempo-Selectable Preset Tempo or Global Tempo per patch
MIDI Beat ClockAlways OnEach preset can be programmed to listen to or ignore MIDI Beat Clock
MixSingle Mix KnobMIX knob with Dry and Wet Trim for precise level balancing
Tuner-Always available Chromatic Tuner from front panel switches
Reference Frequency440 HzSelectable reference frequency from 425 - 455 Hz for tuner and pitch detection
Spillover between presets-Selectable Spillover for Delay and Reverb Trails

The mind of man is capable of anything Watch Reveal Video